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Thursday, January 19, 2012

Fade Out



It was announced recently that Eastman Kodak filed for bankruptcy under Chapter 11. They are re-organizing, but there are other film companies that have disappeared like Polaroid, Agfa, Ilford and Konica. I always get a little nostalgic when I hear these stories because I grew up wanting to shoot film, making my own darkroom in a bedroom closet and poring over film magazines and books, trying to learn the mystery of making images on sheets of plastic and chemicals. I once caused my whole family to run from the house because I poured stop bath, a highly concentrated form of acetic acid, directly into a developing tray without diluting it. Oops. You should really read the directions when playing with chemicals in a closet.

The footage above is from a 1922 Kodachrome film test. It is eerie and ghostlike with the flickering light and the tentative models giving us their best sensual gazes. The gestures and facial expressions of the models are definitely from a different era, but if you take away the period clothing, there is a sense of that could be me up there in the future a kind of "we too will someday be a faded image on a screen."

Looking at dead or dying technology always makes me think, "What next?" (Along with twinges of nostalgia for my youth and lost hair) How will my children watch images of me? Will they even be able to? Will technology advance so quickly and change so radically that we won't even be able to access the old technology or will it all be absorbed into some kind of "super-cloud" network where any image, any moving image throughout history will be stored and accessible by everyone?

The SOPA Act and the protests yesterday are important because if we let corporations or governments take away our right to access the past, to access images, ideas, stories because part of those images or stories might have "property" belonging to a corporation, we will then be letting the corporations tell our stories for us. We could lose the boundless creativity that comes from open access to images and ideas. We could lose our stories of who we are, where we've been, what we've done.

Although I love film and its processes and chemicals and messiness and feeling and "there-ness", I don't love it's expense and the amount of time it takes to produce a finished product. I'm looking forward to seeing where we go next and I wonder what my son will be looking at and thinking, "Wow, that was the beginning of that technology, how crude that was, look at how far we've come!"

The Lytro camera is an interesting emerging technology that uses a sensor to capture the light field in front of it with no focusing. You focus the image after it has been taken. It has an 8x optical zoom and f2 constant aperture. It looks like an old slide viewer with a square aspect ratio. Will it take hold? When will it be available? Check out this video http://bit.ly/qBtc4a or visit http://www.lytro.com I'm not affiliated with them in any way, I just find the camera fascinating.

Tuesday, January 17, 2012

Myths and Sleepovers

So, people are taking a look at these blogposts already, something I'm surprised by. We're having our first winter storm since the freak snowstorm of Halloween '11 and little ice bits are pinging off my window as I write.

I watched the film, The Myth of the American Sleepover, tonight and recommend it as a Netflix streaming option. It was written and directed by a fellow tweep, @DRobMitchell, who is currently working on Ella Walks on the Beach. The film was gorgeously shot, fun to watch and has a mid-90's feel with it's lack of cellphones and chunky t.v.s playing brilliant snippets of films that I seem to remember from that time, but from the credits on IMDb, were almost certainly shot just for the film.

Following Marlon Morton, Claire Sloma, Amanda Bauer, Brett Jacobsen and other gangly youth around a Detroit suburb on a wet evening (lots of gorgeous water imagery) as they try to find their way through the myth of the American sleepover and discover what they want out of life, felt real and rang true to my memories of similar sleepovers as a hormonally mixed-up teen in Pennsylvania. I remember having grandiose ideas that crashing the girls sleepover was going to result in some kind of magical sex party or a sudden complete understanding of what women were all about but they usually just ended up with a bunch of girls throwing stuff at us as we laughed at them in their pajamas and ran away. Later, we told highly exaggerated stories about our prowess with these girls to any of the guys who weren't around and mostly never spoke about any of it again to the guys who were with us. 

The film left me wondering about my own myths from when I was younger and made me want to write down some of these stories too. I remember the one time my friend George and I decided to tell each other's parents that we were going to stay at the other person's house. We just wandered around in the humid summer night, climbing fire escapes, talking about random things, buying snacks at the convenience store and running through people's backyards. We had found a six-pack of beer that someone was saving in a hole in a creek and we drank three beers each and got tired and dizzy and just went to his house and crashed on the sofa bed down in the basement. The next day I had a mild hangover and ate breakfast at his house. He had three sisters, two who were twins, and I had a crush on all three of them. I used to look at them the way Rob in MOTAS does and I always wondered if they ever knew. Years later, I've been trying to track George down, but he's fallen off the map, even in these days of Twitter and Facebook. It would be fun to ask him what he remembers of those days we would wander around the neighborhood trying to figure out who we were and dreaming of who were about to be. Thank you for the great film, @DRobMitchell, would love to work you on something in the future!





 

Saturday, January 14, 2012

Twitterish




So I listened to a webinar the other day presented by @dallastravers. She's a marketing guru who coaches actors on how to market themselves more efficiently for this crazy business. 

Today I decided to implement some of her ideas. I used to ignore Twitter completely, but after listening to the webinar, I realized that it's quite a powerful tool. I tweeted about the coming premiere of RETURN and I sent the tweet out to several new people I've started following. I only have 150 people following me on Twitter, but with retweets today I was able to reach a potential audience of half a million people!
 
I was amazed and now a firm believer in what @dallastravers is teaching. I'll keep you posted on how everything goes as I put these ideas into play. Follow her for more great ideas!

WP 
http://imdb.me/waynepyle

P.S. Since writing this I'm over 729 followers as of Tuesday, May 22



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